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The Forbidden City (Wonders of the World) |  | Author: Geremie R. Barme
Publisher: Harvard University Press
Category: Book
List Price: $19.95
Buy New: $11.75
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Rating:  5 reviews
Media: Hardcover
Pages: 288
Number Of Items: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.2 x 4.5 x 0.9
ISBN: 0674027795
Dewey Decimal Number: 951.156
EAN: 9780674027794
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| • | ISBN13: 9780674027794 | | • | Condition: NEW | | • | Notes: Brand New from Publisher. No Remainder Mark. |
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Product Description
Read supplementary material prepared by Geremie Barmé Read the Bldg Blog interview with Mary Beard about the Wonders of the World series (Part I and Part II) The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy. The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion. Geremie Barmé peels away the veneer of power, secrecy, inscrutability, and passions of imperial China, to provide a new and original history of the culture, politics, and architecture of the Forbidden City. Designed to overawe the visitor with the power of imperial China, the Forbidden City remains one of the true wonders of the world. (20080203)
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| Customer Reviews:
 A little secretive pleasure September 12, 2008
Denise Molloy (Australia)
5 out of 6 found this review helpful
If you want a big, glossy picture book of the Forbidden City don't buy this book. If you want something lovely that you'll keep forever, buy it indeed! This is the "Little Black Book" on the subject of the palace itself and so much more. It's a small, neat, lovely to handle edition whose only colour is in the red endpapers that are exactly the red of the Forbidden City's palace walls. The old, grainy, black and white photographs add to the pleasure and increase the feeling that you are getting something true and genuine instead of just another travel guide. Geremie Barme's text is erudite, as you'd expect from a Professor of Asian History, but it's also deliciously gossipy and has a pace and feeling for detail that is never boring. Professor Barme is especially good on the modern uses the Forbidden City has been put to, and his views on the Communist era are refreshingly balanced, putting Chairman Mao into the "Imperial" context very nicely. I especially loved it because it had a picture of an event I actually attended: the 1976 funeral of Chou En Lai. The shock of seeing it, just as it was, came as a delightful surprise. A lovely book. It feels Chinese.
Encylopedic & entertaining history and gossip of the Fobidden City and its meaning May 27, 2008
Robert the Dirk Bogarde Fan (Canberra, Australia)
4 out of 5 found this review helpful
This great book gives an amazing "counter-revolutionary" history of the great Forbidden City of the Chinese Emperors. You'll read how the city is seen in all sorts of manifestations, including in movies, how it was ignored in the hey day of communist china by both the government and also politically correct visitors in the 70s, how from gradual openings in the late 70s to how you can barely find a quite spot. Another point: its a very large city, both in size, grandeur, history and importance. Lots of great photographs populate the American edition.
 Not so Forbidding November 23, 2009
M. A Newman (Alexandria, VA United States)
1 out of 1 found this review helpful
This is an admirable little book, dealing with an iconic building in China, if not a series of buildings, the Forbidden City. The product of the Ming and Qing rulerz and a symbol of China and its recent history (no one building could probably symbolize all of it, given the age of the culture and its continuity).
I approached this book with expectations of learning two things, first about Chinese building cocepts and techniques. In this first thing, the book does not provide much to enhance understanding of this particular point. There is a glossary of terms, but really if you are seeking to understand Chinese imperial architecture, this is not the book for you.
Despite these shortcomings, the book does succeed very well in discussing the meaning that these series of buildings has had and will likely have as long as there is a China and how this has changed as living memories of the revolution have faded. As is always the case, as China has become less ideological and more reasonable, there is a greater appreciation of the past and more respect for what the Forbidden City means to the population in general. During the Cultural Revolution, Zhou Enlai felt the only thing that could be done with the building was to close it because tempers ran so high.
There are also marvelous stories about the building and its content. I suppose that because I grew up near New Orleans, I have always liked stories about faded glory and decadence of the always reliable upper classes. In the aftermath of the fall of the Q'ing dynasty, both the eunuchs and Pu Yi, the last emperor were apparently competing in some sort of contest of larceny before the entire collection of the Forbidden City could be catalogued and placed in glass cases for the edification of the general public. The eunuchs managed to get out enough to set themselves up in a series of antique stores in the vicinity of the Forbidden City. The former emperor (he was six when he abdicated) managed to get enough out to furnish his shabby court when he was ruler of the Japanese puppet state of Manchukuo (here, as always, the Japanese helped out). Both sides eyed each as they hid various priceless treasures, the eunuchs burning down an entire building in order to cover up their crimes.
.Both the stories and the quest for meaning provide the central strengths of the book.. So if you are looking for something to provide you with insight or are just curious about imperial Chinese history, check out this book. It is worth the effort.
 A meandering book August 22, 2008
Alfredo Pizzirani (Seattle, WA, USA)
7 out of 8 found this review helpful
I read this book cover to cover because I am a big Beijing fan and I visit frequently. I am sorry to say that I did not find very many new facts in it - a good guidebook (for example the Blue Guide) will provide the same facts in a much more compact format.
Barme, who is a very talented academic, is at his best when he covers the debate in the Communist party about what to do with the Forbidden City and with Old Beijing; this part of the story of the Forbidden City is frequently ignored, but indeed reveals a lot about how the Chinese leadership thought in the revolutionary period.
This is a very elegant book - hardbound in cloth, printed on heavy, nicely textured paper. The pictures, unfortunately, are not up to the same standard: anything but sharp, and in black and white only; they often look like they have been reproduced from old newspapers.
There are a few interesting, even memorable, pages in this book - several pages trace one day in the life of a Qing emperor from dusk to night; I have already mentioned the discussion of the debates within the Communist leadership.
Barme is less successful when he tries to convey the mistique of the Forbidden City as it was invented by Western writers - at some point he gets completely sidetracked with a very long quotation from an unpublished memoire by a never-heard-of French writer who describes a (fictitious) sexual encounter with the Cixi Empress Dowager in much graphical detail. Exactly what how this shaped Western perceptions, since it was never published, is not clear.
The worst defect, however, is the lack of structure. The book meanders through ages, starting in Revolutionary China, backtracking the Ming, progressing on until the Republic of China, and again to the revolution (but not as linearly). It also meanders through the buildings themselves. To put it otherwise, it is not usable as a guidebook on site (there is no systematic walkthrough of the buildings, and there is very little about what the visitor will see, the description being limited to the name of the buildings and their usage through history), and it is not a coherent chronological history either.
Disappointing June 26, 2009
Late bloomer (Cambridge Ma)
0 out of 2 found this review helpful
The book was major diappointment. It has nothing about the architecture, art, or cultural significance of the Forbidden City beyond a listing of the names of the various buildings, and its attempt at history is little more than episodic gossip, which includes a three page review and plot summary of what she admits is a poor 1960s movie.
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